Special Presentation: Brenda Hutchinson’s Bell Project
Saturday & Sunday, October 7 & 8, 2006
2 p.m. in the McBean Theater
If a bell rings in a shopping mall parking lot, will anyone respond? In September 2006, artist Brenda Hutchinson set out on a cross-country journey to investigate the public’s interactions with and reactions to the sonorous tones of a large cast-iron bell. From coast to coast, she rang the bell in small towns, city parks, rest stops, and more. In this special presentation, she’ll share stories about her adventure.
To see photos of the trip, and to read Brenda’s blog, check out The Bell Project Web Site.
Physics of Toys: Hears to You
Saturday, October 21, 2006
11 a.m. - 3 p.m. in the Skylight Area
Do you hear what the Physics of Toys team hears? To find out, stop by the Physics of Toys activity stations to make some listening toys from the “Secret Sounds” section of the Exploratorium's brand new publication, Exploratopia!
Film Program: Five Short Films that Celebrate Sound
Saturday, October 21 2006
Noon and 2 p.m. in the McBean Theater
Join us for this special selection of films that pay tribute to the relationship between sound and image. In these five shorts, birds, kitchen cabinets, traditional musical instruments and more all contribute to the soundscape. Films include Multiple Sidosis, Kitchen, Order, Birdbeat, and Blowing Things Away. Total running time: 23 minutes
Multiple Sidosis (1966, 9 min.) Written, directed and starring Sid Lavarents, this film utilizes quick cuts and multiple angles of a one-man-band musical performance.
Kitchen (2005, 3 min.) by Noah Cunningham and Chih Cheng Peng transforms an ordinary kitchen into a massive percussive device.
Order (1979 2 min.) by Kit Fitzgerald and John Sanborn depicts a series of gestures (hands clapping, phones ringing, glass breaking) and edits these everyday sounds into quick bursts of aural frenzy.
Birdbeat (fugue) by Geoff Adams (2002, 5 min.) transforms the cacophony of birds at a backyard feeder into a jazzy animated composition.
Blowing Things Away (2001, 3 min.) by Felipe Dulzaides is a physical study of focused breath and emanating sounds.
Special Performance: Baguette Quartette
Sunday, October 22, 2006
Noon and 1 p.m. in the WebCast Studio
Help celebrate the opening of Listen with a festive performance by San Francisco’s Baguette Quartette, which plays music heard in Paris between 1920 and 1940 on street corners, in cafes, and in popular dance halls. Led by accordionist Odile Lavault, Baguette Quartette’s repertoire consists of valses musettes, tangos, pasos dobles, fox trots, marches and other chansons.
Listening Film Series: The Dreamer That Remains: Harry Partch
Sunday, November 5, 2006
2 p.m. in the McBean Theater
The Dreamer That Remains: Harry Partch (1972, 30 min., 16mm film), directed by Stephen Poulliot and produced by Betty Freeman, captures the spirit, life, and recollections of composer Harry Partch. He reminisces on his hobo days, dotes over his unique, handmade instruments, and composes a beautiful score captured on film. This rarely-screened documentary provides glimpses into Partch’s interactions with the people and the world around him.
An interactive installation by Jeff Hoefs and Peter Chester
Saturday & Sunday, November 11 & 12, 2006
10 a.m. – 5 p.m. in the McBean Theater
Experiment with the interplay between touch, sound, and technology at Jeff Hoefs’ and Peter Chester’s Scala Media. Each of four wooden vessels holds a shallow pool of water. Touching the pools creates sound, which grows in richness and complexity as more people interact with the piece. This unique immersive installation lets visitors create and explore their own compelling sonic environments.
Listen: A Season of Sound Performances
Saturday, December 16 – Sunday, December 17, 2006
This weekend, we’ll fill the museum with a cavalcade of musical delights, including live opera, a handbell performance from Ringmasters of the San Francisco Bay, the Ohlone Tuba Ensemble, and the Balkan Women’s Choir Born to Drone!
Saturday, December 16, 2006
True Harmonic Equation of the Oakland Youth Chorus
Take flight on the vocal sonorities of True Harmonic Equation (T.H.E.), the acapella troupe of the Oakland Youth Chorus. Hum along to contemporary African and Kwanzaa songs, as well as other holiday tunes steeped in a diversity of cultures and religions. Spirituals, as well as classical and pop music, round out the musical offerings of this young, auditioned singers ensemble.
The Oakland Youth Chorus for Music Education provides cross-cultural musical training and performance programs for youth, fostering talent, confidence, and community.
Born to Drone
Web site: http://www.borntodrone.org/
Born to Drone is a women's vocal ensemble specializing in folk music from the Balkan region and beyond.
Their repertoire comes from ethnographic field recordings, professional recordings made by Eastern European folk artists and ensembles, as well as material presented at workshops and Balkan music camps in the United States. Most of their music is sung a cappella, while some pieces are accompanied by musicians playing traditional instruments.
The drone in their name refers to a traditional Eastern European method of diaphonic singing, in which a lead singer sings the melody while the others sustain a single tone, or drone note, creating an effect much like that of a bagpipe.
Ringmasters of the San Francisco Bay
The Ringmasters of the San Francisco Bay is an internationally renowned group. They perform local concerts and are the premier handbell group of the Golden Gate Boys Choir. The Ringmasters are most known for wowing their audiences with their delightful interpretations of upbeat classics such as "The Stars and Stripes Forever." Under the direction of maestro Steven Meyer, the group is composed of eleven young men ranging in age from middle school to high school students. In this group, these young men acquire the necessary skills in theory and musicianship to become successful performers.
Sunday, December 17, 2006
Ohlone Tuba Ensemble
The Ohlone College Tuba Ensemble, under the baton of Tony Clements, is an ensemble comprised of instruments of the tuba family, including baritone, euphonium, bass and contra bass tubas. They perform selections from standard tuba ensemble repertoire and transcriptions from all styles of music. Members of the ensemble are often featured as soloists.
Tune up your ear and get ready to experience the power and passion of live opera as tenor Will Hart Meyer and Mezzo-Soprano Kathleen Moss perform well known classics from contemporary and classic operas like Carmen, La Traviata and The Merry Widow.
Melody of China
Melody of China (MOC), a non-profit Chinese music ensemble, will help you journey through the musical landscapes of China. Listen for the clomp and clatter of galloping hoofs in one of their Mongolian folk songs, called “The Horse Race.” The trio will perform from their repertoire of musical forms that combine the traditional and contemporary. Hong Wang is a multi-instrumentalist, Yangqin Zhao specializes in the yangqin (hammered dulcimer) and Xian Lu's expertise is with the dizi (bamboo flute) and other wind instruments.
The award-winning, Bay Area-based ensemble performs regularly throughout the United States, Europe, Asia and Australia. Melody of China’s extensive repertoire includes folk songs, opera, instrumentals, as well as classical, festival, and contemporary music. They also celebrate the musical heritage of Chinese ethnic minorities, concentrated in the far western and northern edges of the mainland.
Special Event: The 10th Annual Activating the Medium Festival
Presented in partnership with 23five Inc.
Friday & Saturday, January 26 & 27, 2007
7 p.m. in the Skylight Area
This two-night special event presents live performances by eight contemporary sound artists. Working with field recordings in conjunction with minimalism, electro-acoustics, and film, these artists negotiate the shifting terrain between the natural and the artificial. Friday’s performers include Camilla Hannan, B.J. Nilsen (a.k.a. Hazard), Tarab, and Aaron Ximm. Saturday features Keith Evans, Matt Shoemaker, Olivia Block, and Steve Roden. The performances are free with same-day museum admission, but reservations are recommended; please call (415) 528-4308. For more information, visit www.23five.org.
Co-sponsored by: KUSF Logo, ANAT Logo
Supported by Konstnärsnämnden, Sweden
Performances in February
Performance: Climax Golden Twins
Saturday, February 17, 2007
1 p.m. in the McBean Theater
Web site: http://www.climaxgoldentwins.com
Seattle’s Climax Golden Twins will present a live improvised performance using sounds derived from 78rpm records, cylinders, and the old players themselves. Through the use of modern techniques, they will recontexturalize century-old source material by mixing, abstracting, and processing it until some of it is no longer recognizable. A collage video will accompany the sound performance.
Climax Golden Twins are generally the duo of Robert Millis and Jeffery Taylor, though they are the first to acknowledge the numerous friends and collaborators that have made their work possible. Together and separately they have composed material for NPR, scored for film and television, curated compilations of Asian musics, created gallery and museum installations, and released LPs, CDs and DVDs on a variety of labels including Anomalous Records and Sublime Frequencies. Perhaps best known (if at all) for the score to the feature film Session Nine, their most recent full length CD is entitled Highly Bred and Sweetly Tempered, and they are working on a book and CD project with the Dust to Digital label. Called Victrola Favorites, it will be exactly that: selections from their collections of 78rpm records played on period machines.
Listen to an excerpt of Talking Machine, 2005 (.mp3)
originally presented as part of In Resonance exhibition, Seattle, WA.
Released on Conspiracy Records, Belgium.
All sounds derived from 78rpm records and acetates.
Performance: Cheryl Leonard, Music for Rocks and Water
Sunday, February 18, 2007
1 p.m. in the McBean Theater
Three musicians play amplified water and a spectrum of rocks to evoke gestures and motions from the natural world. Compositions echo the mysterious racing rocks of Death Valley, ocean waves and eddies, rockfall on mountains, wobbling boulders, patterns of wind on grass, the sculpting of landscapes by glaciers, water flow through falls and rapids, and shifting tectonic plates.
Listen to an excerpt of Jiku, air bubbles in water and wobbling rocks (.mp3)
Listen to an excerpt of Umi, amplified sand and granite rocks (.mp3)
Written and performed by Cheryl Leonard as part of Music for Rocks and Water