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00:02:00
What a great day! We were in the Mission and Bayview districts and on the Embarcadero for a free, preopening extravaganza that was part road show, part street festival, and all Exploratorium. On the Move featured a fleet of moving trucks equipped with museum exhibits and experiences accompanied by artworks, films, food, family activities, and live performances that culminated in a spectacular finale at Pier 15.

00:28:00
In this historical video from 1996, which was originally made for a museum floor installation, we learn about both the Palace of Fine Arts and the roots of the Exploratorium. This piece mixes footage from films in the Exploratorium's collection and interviews with historians, architects, and museum staff.

16:54:00
Exploratorium composer Wayne Grim used the video of the transit to create a sound composition in real time. As the video signal was received by Wayne's computer, a program he wrote converted the signal into a unique aural experience. http://www.waynegrim.com

00:05:09
In this age of iPods and MP3s, the vinyl record (still) stands as an object of curiosity and ongoing admiration. What’s the real difference between a 78 and a 45? Why do they call it “cutting a record” when an album is recorded? Music enthusiast Wade Wright of San Francisco takes us back in time to explain the history and technology of vinyl records.

04:15
"Rat Creek is a broken tale, that trickles under the plastic welcome mats of a mobile home community..." In this special "b-side" edition of Driven, we continue our exploration of the work of Adam Ansell and the Gray Area Theater Ensemble. As the debut performance of "Rat Creek" nears, the actors are abuzz with joy and anxiety. When the actors finally enter the stage, Adam's work is done, and the play takes on a life of its own.

04:20
Theater director Adam Ansell has developed a unique way of working during the 20 years that he's been running the Gray Area Ensemble in San Francisco. The doors are open to anyone who wants to participate, from experienced performers to those who have no experience in the arts. This uncommon group of ever-changing collaborators creates spellbinding, gorgeously dystopic theatrical spectacles which are both fantastical and very real. In this show, we enjoy a peek into the joyful and chaotic creation process of the "Rat Creek", The Gray Area Ensemble's latest work, which will be presented to the public at the Exit Theatre in San Francisco January 11-15th 2012.

02:50
The Southern California Coastal Ocean Observing System (http://sccoos.org/) gathers live data about winds, waves, surface currents, temperature, and water quality, and makes it available to everyone. In this piece, Oceanographer Art Miller tells us about this system, and about how America's Cup sailors can use this kind of data and modeling to improve their race performances. To access wind modeling data, visit: http://www.sccoos.org/data/observations/

00:04:58
Throughout history, tattoos have represented conquests, coming of age, religion, spirituality, art, and even punishment. Today, tattoos are alive and thriving as a form of personal expression. How have modern techniques changed this art form? What are best practices in tattoo creation and care? Why are tattoos permanent—and when are they not? Join us as we "talk tat" with artitsts Suzanne "Fishy" Shifflett and Tanya Wischerath of Modern Electric Tattoo in San Francisco.

04:20
Tsering Wangmo Dhompa is a poet who collects inspiration from the everyday--walking in the city, looking at people, listening to language--as well as from her imagination and memory. In this show we explore her process and product.

00:02:25
Join us for an exploration of new frontiers in film—where cinematic artworks range beyond the screen to encompass unique combinations of animation, objects, and live performance.