Found 10 - 20 results of 71 programs matching keyword " speaking of music"
Join Ron Hipschman at a live webcast where he’ll investigate sound waves, interference, beats, and harmonics. What is sound? How high a pitch can you hear? Can two sounds add up to no sound? Explore these questions and more in this resonant presentation. Watch internationally renowned musician Roscoe Mitchell performing “Angel City” with James Fei on woodwinds and William Winant on percussion. All three are music professors at Mills College in Oakland. Join host Sarah Cahill as she interviews innovator, musician, and composer Roscoe Mitchell. Program 2 of the Resonance series at the Exploratorium. Get to know the grandfather of all instruments, the Pipe Organ. We talked with Schoenstein & Company Organ Builders about the process of designing, constructing, and fine-tuning their instruments.
Cheryl E. Leonard is a composer, performer, and instrument builder who creates instruments from unusual raw materials—everything from glass shards and pinecones to glaciers and box springs. This interview took place at the Exploratorium on October 10, 2013, just prior to her performance of Selections from Antarctica: Music from the Ice with Phillip Greelief. Cheryl E. Leonard is a composer, performer, and instrument builder who creates instruments from unusual raw materials—everything from glass shards and pinecones to glaciers and box springs. Here she performs Selections from Antarctica: Music from the Ice with Phillip Greelief, as part of the Exploratorium’s Resonance series. Musician and comedian Reggie Watts improvises in the Sound Column at the Exploratorium's former home using only his voice and a looping machine. There’s no mistaking the distinct voice—whether throbbing, singing, or screaming—of an electric guitar. How does one instrument produce so many different sounds? We visit with Bay Area electric guitarists Ava Mendoza and Henry Kaiser, plus Subway Guitars’ very own Fat Dog, to explore the components of this versatile instrument, getting down to pick-ups, “pots,” and pedals that make it sing. Exploratorium composer Wayne Grim used the video of the transit to create a sound composition in real time. As the video signal was received by Wayne's computer, a program he wrote converted the signal into a unique aural experience. http://www.waynegrim.com In this age of iPods and MP3s, the vinyl record (still) stands as an object of curiosity and ongoing admiration. What’s the real difference between a 78 and a 45? Why do they call it “cutting a record” when an album is recorded? Music enthusiast Wade Wright of San Francisco takes us back in time to explain the history and technology of vinyl records.