Found 10 - 20 results of 37 programs matching keyword "pitch switch floor exhibit"
At the Giant Mirror, Senior Staff Scientist Paul Doherty demonstrates a simple way of locating a real image—an image that floats in space in front of the mirror. Senior Staff Scientist Thomas Humphrey invents a simple experiment to see if the Giant Mirror is spherical or parabolic, and then to see if it's perfectly spherical. By placing a Styrofoam ball at the center of curvature, he's able to prove that the mirror is out of pure sphericity by about one-quarter of one degree. Staff Neuroscientist Richard Brown demonstrates that the Giant Mirror reflects infrared radiation as well as visible light. Preview the Exploratorium's Mind exhibit, an exhibit collection four years in the making.
In Mind, you are the exhibit. Experience your own thoughts, feelings and
actions in provocative and unexpected ways in this major new
5000-square-foot collection. Discover insights into how you make decisions,
the kinds of things you do (or don’t) pay attention to, and the changing
landscapes and intriguing effects of your own emotions. Mind is made
possible with the support of the National Science Foundation.
An introduction to a crowd-pleasing noisemaker called a sound sandwich, which you can adjust to raise or lower its pitch. A detailed demonstration of how to make this primitive wind instrument using little more than a straw, two craft sticks, and some rubber bands. The science behind this instrument, including a discussion of how vibration produces sound, and how long, massive objects vibrate slowly and produce a low-pitched sound, while shorter, less massive objects vibrate quickly and produce a high-pitched sound. Aeolian Landscape is an exhibit in which a miniature wind-swept desert landscape is recreated by an electric fan and finely ground sand that mimics the process of wind picking up and depositing small particles. Visitors can change the direction of the fan, influencing the shape of the dunes. At the Balancing Ball exhibit, a plastic beach ball floats mysteriously several feet above a large plastic cone. Upon closer inspection, the ball is found to be floating on a stream of air blowing out of the cone; visitors interact with the ball, changing its position in relation to the air flow. Artist Sheldon Brown creates an urban/suburban/rural environment in which the visitor literally "paints" the flying landscape with highways, buildings, and automobiles. This exhibit was part of the Virtual Unreality exhibition.