Found 10 - 20 results of 54 programs matching keyword "sound waves"
Watch internationally renowned musician Roscoe Mitchell performing “Angel City” with James Fei on woodwinds and William Winant on percussion. All three are music professors at Mills College in Oakland. Join host Sarah Cahill as she interviews innovator, musician, and composer Roscoe Mitchell. Program 2 of the Resonance series at the Exploratorium. What is sound? How high a pitch can you hear? Can two sounds add up to no sound? Explore these questions and more in this resonant presentation. Listen as we demonstrate what all those sound jargon words mean. If you’ve ever wondered what frequency, wavelength, amplitude and other words of sound mean, we’ll explore them in this demo-packed webcast.
Get to know the grandfather of all instruments, the Pipe Organ. We talked with Schoenstein & Company Organ Builders about the process of designing, constructing, and fine-tuning their instruments.
Cheryl E. Leonard is a composer, performer, and instrument builder who creates instruments from unusual raw materials—everything from glass shards and pinecones to glaciers and box springs. This interview took place at the Exploratorium on October 10, 2013, just prior to her performance of Selections from Antarctica: Music from the Ice with Phillip Greelief. Cheryl E. Leonard is a composer, performer, and instrument builder who creates instruments from unusual raw materials—everything from glass shards and pinecones to glaciers and box springs. Here she performs Selections from Antarctica: Music from the Ice with Phillip Greelief, as part of the Exploratorium’s Resonance series. Musician and comedian Reggie Watts improvises in the Sound Column at the Exploratorium's former home using only his voice and a looping machine. Watch the Exploratorium's construction process from December 2010 to November 2012 in under two minutes. Come see for yourself—doors open at Pier 15 on April 17, 2013.
Images courtesy of Ken Murphy. Music by Wayne Grim. Exploratorium composer Wayne Grim used the video of the transit to create a sound composition in real time. As the video signal was received by Wayne's computer, a program he wrote converted the signal into a unique aural experience. http://www.waynegrim.com