Found 10 - 20 results of 94 programs matching keyword "transit of venus sonification music audio wayne grim"
Cheryl E. Leonard is a composer, performer, and instrument builder who creates instruments from unusual raw materials—everything from glass shards and pinecones to glaciers and box springs. This interview took place at the Exploratorium on October 10, 2013, just prior to her performance of Selections from Antarctica: Music from the Ice with Phillip Greelief. Cheryl E. Leonard is a composer, performer, and instrument builder who creates instruments from unusual raw materials—everything from glass shards and pinecones to glaciers and box springs. Here she performs Selections from Antarctica: Music from the Ice with Phillip Greelief, as part of the Exploratorium’s Resonance series. Musician and comedian Reggie Watts improvises in the Sound Column at the Exploratorium's former home using only his voice and a looping machine. There’s no mistaking the distinct voice—whether throbbing, singing, or screaming—of an electric guitar. How does one instrument produce so many different sounds? We visit with Bay Area electric guitarists Ava Mendoza and Henry Kaiser, plus Subway Guitars’ very own Fat Dog, to explore the components of this versatile instrument, getting down to pick-ups, “pots,” and pedals that make it sing. Exploratorium composer Wayne Grim used the video of the transit to create a sound composition in real time. As the video signal was received by Wayne's computer, a program he wrote converted the signal into a unique aural experience. http://www.waynegrim.com Watch the beginning of Venus’s transit across the disk of the sun, one of the rarest astronomical events. Watch the conclusion of Venus’s 6.5-hour journey across the disk of the sun, one of the rarest astronomical events. Learn about NOAA’s Mauna Loa Observatory on the Big Island of Hawaii, the location of the Exploratorium’s June 5, 2012, webcast of the transit of Venus. A leading atmospheric research facility, the observatory has been collecting and monitoring data relating to atmospheric change since the 1950s. Dr John Barnes, the Station Chief for the observatory, describes the functions of the MLO, which provides valuable long-term and continuous recording of data. Dr. John Barnes, Station Manager of NOAA's Mauna Loa Observatory, shares the history of Charles Keeling's pioneering carbon dioxide measurements, which have been taken continually at Mauna Loa since 1958. In this age of iPods and MP3s, the vinyl record (still) stands as an object of curiosity and ongoing admiration. What’s the real difference between a 78 and a 45? Why do they call it “cutting a record” when an album is recorded? Music enthusiast Wade Wright of San Francisco takes us back in time to explain the history and technology of vinyl records.