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At Resonance, Ambarchi shares his unique sound-world of deep, visceral guitar abstraction combined with fragile, light-as-air textures made from glass harmonica, strings, bells, piano, drums, and percussion.

A highlight of this After Dark evening was Thee Oh Sees, one of the Bay Area’s best underground bands, who created a playful aural disorientation while playing in front of “visual music” by the late experimental filmmaker and musicologist Harry Smith.