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00:53:00
At Resonance, Ambarchi shares his unique sound-world of deep, visceral guitar abstraction combined with fragile, light-as-air textures made from glass harmonica, strings, bells, piano, drums, and percussion.

00:41:50
Guillermo Galindo’s artistic work sweeps across musical boundaries, flowing from symphonic compositions to performance art installations and beyond. For Resonance, Galindo and his ensemble will perform "Resonant Shadows/ Circular Calls" on instruments made from immigrants’ personal belongings found along the border between Mexico and the United States. The artist’s musical sculptures—made with abandoned clothing, animal bones, bullet casings, a truck tire, and small, evocative ephemera such as a toothbrush or comb—and original scores form part of Border Cantos, an exhibition made in collaboration with celebrated photographer Richard Misrach, opening at the San Jose Museum of Art on February 25, 2016.

00:29:34
Guillermo Galindo’s artistic work sweeps across musical boundaries, flowing from symphonic compositions to performance art installations and beyond. For Resonance, Galindo and his ensemble will perform "Resonant Shadows/ Circular Calls" on instruments made from immigrants’ personal belongings found along the border between Mexico and the United States. The artist’s musical sculptures—made with abandoned clothing, animal bones, bullet casings, a truck tire, and small, evocative ephemera such as a toothbrush or comb—and original scores form part of Border Cantos, an exhibition made in collaboration with celebrated photographer Richard Misrach, opening at the San Jose Museum of Art on February 25, 2016.

00:12:06
For the solar eclipse of 2016, the Exploratorium was on the island of Woleai, in Micronesia, with multiple telescopes trained on the sun. These telescopes were connected to a laptop holding custom-made software that looks at the movement of the moon and the brightness of the sun. Composer Wayne Grim used this software to create a live composition based on the data. The musical composition uses rotational and orbital periods of the Earth, moon, and sun as formal elements. Here is an excerpt from the 3 hour piece.

00:05:31
Experimental physicist Carl Haber restores antique audio recordings too old, fragile, or damaged to be otherwise replayed—including recordings made in wax, soot, and foil. Using optical scanning technologies from his work at CERN in Switzerland, Haber has recovered and preserved a diverse collection of deteriorating sonic artifacts, voices from the past that otherwise would have been lost.

02:00:00
The legendary Joshua Light Show returns to the Exploratorium’s Kanbar Forum to improvise an immersive, otherworldly environment of light in collaboration with acclaimed musicians Julia Holter and Linda Perhacs.

00:45:00
Join the talented performers from the SFJAZZ Highschool Allstars for a live performance in our Kanbar Forum.

00:49:43
The second season of Resonance kicks off with Oakland-based sound-making duo Black Spirituals. Their music is an ecstatic intersection of the tone-generating electronics and guitars of Zachary James Watkins, and the heart-thumping acoustic percussion of Marshall Trammell.

00:02:00
Watch as guests of Exploratorium After Dark collaborate in a hands-on, ears-on exploration of musical cultures from every continent with educator Michael Bradke.

00:28:54
Sound artists Shane A. Myrbeck and Emily Shisko elaborate on their thought process behind their interactive sound installation, Fathom: Self-Assembling Music. This art work was presented in the Exploratorium's Kanbar Forum in 2013 and into 2014.