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00:08:43
TI teacher coach Rilla Chaney says she’s no singer, but she’s successfully used songs to teach science concepts in her classroom.

00:18:09
Terje Isungset is one of Europe's most accomplished and innovative percussionists. With over two decades experience in jazz and Scandinavian music his work travels far beyond traditional boundaries. He's become more like a cross between a sound artist and a shaman. Isungset crafts his own instruments from natural elements found in Norway such as arctic birch, granite, slate, and even ice.

00:19:45
A casual chat with ultra-inspirational artists and 'Future Farmers' Michael Swaine and Amy Franceschini.

00:08:43
A short visit with the inspiring Jane Wolff. She is an artist, landscape architect, educator, and author of 'Delta Primer: a field guide to the California Delta.'

00:16:25
Filmmaker Douglas Gayeton talks about the making of his film, "Molotov Alva and His Search for the Creator: A Second Life Odyssey" following a "mixed-reality" screening at the Exploratorium and on Exploratorium Island in the virtual world, Second Life, part of Cinema Arts event Fabricated Realities.

00:22:00
Walter Kitundu, 2008 MacArthur Fellow and longtime Exploratorium friend, is an accomplished instrument builder, musician and artist. He is also a dedicated bird watcher and photographer. In this program we accompany Walter on a birdwalk, then have a chat about birds, art, and the perils and rewards of being an urban naturalist.

00:38:04
We talk to photographer John Weller, who spent the austral summer 2008 scuba diving under the ice in Antarctica.

00:03:50
Science, technology, art, and fashion converge at a runway fashion show at the Exploratorium on Friday, April 25, 2008, 7-11pm. The 2nd Skin Clothesline Exhibit debuts that evening; the event also features two artists at work on their creations. If you miss the opening, artists' works will to be highlighted around the museum for five months,from April 26-September 7, 2008.

00:06:00
Animated abstract images create a portrait of matter in perpetual decomposition.

00:03:30
Runa’s Spell conveys a moment of connectedness with the sensual persuasions of an imaginary world. Image and music interact in a dramatic way to deepen and enhance the perception of enchantment and longing. The visuals consist of digitally interwoven and layered animated hand-paintings on 35mm film stock, animated objects and cutouts, and pixilation of live creatures. The music attempts to create a spiritual sense of journey through the fractional evocation of ancient Egyptian folk song. The sonorous texture of trembling and contorted images illustrate the hesitation, solitude, and endless dreamscape of the human mind.