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01:13:00
“There is nothing conceited about strandbeests, even though they are sophisticated and multilayered. And that combination of sophistication and simplicity extends even to their construction, because if you look at them they seem complex but actually they are built up from repetitions of just a handful of core principles.” —Lena Herzog, in conversation with Lawrence Weschler

00:30:00
Meditation, repetition, and breath are three of my favorite things. —Eric Glick Rieman

00:41:50
Guillermo Galindo’s artistic work sweeps across musical boundaries, flowing from symphonic compositions to performance art installations and beyond. For Resonance, Galindo and his ensemble will perform "Resonant Shadows/ Circular Calls" on instruments made from immigrants’ personal belongings found along the border between Mexico and the United States. The artist’s musical sculptures—made with abandoned clothing, animal bones, bullet casings, a truck tire, and small, evocative ephemera such as a toothbrush or comb—and original scores form part of Border Cantos, an exhibition made in collaboration with celebrated photographer Richard Misrach, opening at the San Jose Museum of Art on February 25, 2016.

00:29:34
Guillermo Galindo’s artistic work sweeps across musical boundaries, flowing from symphonic compositions to performance art installations and beyond. For Resonance, Galindo and his ensemble will perform "Resonant Shadows/ Circular Calls" on instruments made from immigrants’ personal belongings found along the border between Mexico and the United States. The artist’s musical sculptures—made with abandoned clothing, animal bones, bullet casings, a truck tire, and small, evocative ephemera such as a toothbrush or comb—and original scores form part of Border Cantos, an exhibition made in collaboration with celebrated photographer Richard Misrach, opening at the San Jose Museum of Art on February 25, 2016.

00:32:00
Join Resonance host, Nicole Minor in conversation with performer, composer, and ethnomusicologist A.J. Racy. Dr. Racy ushered in the third season of Resonance on December 10th, 2015 with a range of compositions and improvisations that explore ancient modes and forms endemic to Middle Eastern cultures.

00:02:00
Watch celebrated artist Alexa Meade transform a live model into a seemingly two-dimensional tableau. Reversing the tradition of trompe l’oeil, the Renaissance painting technique in which objects appear real, Alexa Meade painstakingly applies acrylic paint onto actual people and objects, creating illusions of seamless, two-dimensional portraits. Unified by bold brushwork reminiscent of mid-20th-century painting styles, her subjects appear flattened, as if painted on canvas, even when viewed from different angles. Meade’s work invites a deep exploration into the nature of perception, the role of photography in viewing ephemeral artworks, and the sudden intimacy of portraiture.

00:09:25
Watch selects from the Kronos Quartet's April 9, 2015 performance at the Exploratorium as part of the Resonance series. Works excerpted are: "Good Medicine" from Salome Dances for Peace, written for Kronos by Terry Riley, "Death to Kosmische," written for Kronos by Nicole Lizée, and "Târ o Pood (Warp and Weft)" I. Tarh II. Bâft III. Pardâkht written for Kronos by Sahba Aminikia, with a video by Vafa Khatami.

00:28:00
Join Resonance host, Sarah Cahill, for an interview with the members of Kronos Quartet, as well as composer, Sahba Aminikia.

00:06:45
Brad Barton mesmerized and delighted audiences at this August's After Dark: Illusions. He presented his new show, Subliminal, which combines magic, “mind reading,” and humor to showcase the powers of suggestion, influence, and persuasion.

00:05:43
Brad Barton mesmerized and delighted audiences at this August's After Dark: Illusions. He presented his new show, Subliminal, which combines magic, “mind reading,” and humor to showcase the powers of suggestion, influence, and persuasion.