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00:45:00
Bay Area composer and improviser Eric Glick Rieman collaborates with snails, cats, and musicians to embrace a variety of perspectives in his wide-ranging pieces. Glick Rieman is known for his improvisations on the prepared and extended Rhodes electric piano, which he plays with coral, wire brush, bow, and marbles while muting its interior with rubber washers, cloth, and paper.

00:30:00
Meditation, repetition, and breath are three of my favorite things. —Eric Glick Rieman

00:14:00
Take a peak at Duendes performing at our annual Spring Gala event in the Kanbar Forum! More than 400 guests attended the April 6 event, themed Play Is Serious Business! The gala highlighted how the Exploratorium’s creative and hands-on approach to education is essential to producing generations of confident individuals with critical thinking skills, bold creativity, and lifelong curiosity. Roberto Corrias Guitar Jose Blanco Guitar Vocals Percussion David McLean Guitar Marlon Aldana Hand Percussion /Cajon Clara Rodriguez Dancer Percussion Hand Claps

00:41:50
Guillermo Galindo’s artistic work sweeps across musical boundaries, flowing from symphonic compositions to performance art installations and beyond. For Resonance, Galindo and his ensemble will perform "Resonant Shadows/ Circular Calls" on instruments made from immigrants’ personal belongings found along the border between Mexico and the United States. The artist’s musical sculptures—made with abandoned clothing, animal bones, bullet casings, a truck tire, and small, evocative ephemera such as a toothbrush or comb—and original scores form part of Border Cantos, an exhibition made in collaboration with celebrated photographer Richard Misrach, opening at the San Jose Museum of Art on February 25, 2016.

00:29:34
Guillermo Galindo’s artistic work sweeps across musical boundaries, flowing from symphonic compositions to performance art installations and beyond. For Resonance, Galindo and his ensemble will perform "Resonant Shadows/ Circular Calls" on instruments made from immigrants’ personal belongings found along the border between Mexico and the United States. The artist’s musical sculptures—made with abandoned clothing, animal bones, bullet casings, a truck tire, and small, evocative ephemera such as a toothbrush or comb—and original scores form part of Border Cantos, an exhibition made in collaboration with celebrated photographer Richard Misrach, opening at the San Jose Museum of Art on February 25, 2016.

00:23:05
At the center of each chlorophyll molecule sits one magnesium ion, a linchpin for photosynthesis. Our cells require magnesium for hundreds of enzymes and metabolic processes. Spawned from supernovae and scattered through interstellar dust, this life-giving alkaline earth metal readily reacts and is abundant in seawater and a host of minerals from dolomite to olivine.

00:02:52
The Exploratorium has been bringing solar eclipses to world-wide audiences via live broadcasts since 1998. We'll be on site again to capture the 2016 Total Solar Eclipse from the remote Micronesian island of Woleai. Join us live from Micronesia on March 8, 2016 at 5 p.m. PST either online or at the Exploratorium’s free event! www.exploratorium.edu/eclipse/ We’ll also be broadcasting the 2017 eclipse; Stay tuned for more details!

00:53:27
Annual reception and presentation with Dennis M. Bartels, PhD; George Cogan, Chairman of the Board; and the Exploratorium's Board of Directors.

01:15:32
Leaders in their respective fields of science and medicine, Anne Wojcicki, cofounder and CEO of 23andMe, and her sister Janet Wojcicki, PhD, MPH, and professor at the University of California, San Francisco, join Exploratorium Director Dennis M. Bartels, PhD, for a stimulating conversation about their work and the evolution of the role of women in science, medicine, and technology.

00:02:00
Watch celebrated artist Alexa Meade transform a live model into a seemingly two-dimensional tableau. Reversing the tradition of trompe l’oeil, the Renaissance painting technique in which objects appear real, Alexa Meade painstakingly applies acrylic paint onto actual people and objects, creating illusions of seamless, two-dimensional portraits. Unified by bold brushwork reminiscent of mid-20th-century painting styles, her subjects appear flattened, as if painted on canvas, even when viewed from different angles. Meade’s work invites a deep exploration into the nature of perception, the role of photography in viewing ephemeral artworks, and the sudden intimacy of portraiture.