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This April Fools’ Day After Dark event exposed people’s threshold for taking chances. For example, visitors could test their belief in the laws of physics as a bowling ball swung toward them. They could also tackle a climbing wall, try their luck at casino games, and see if they had the nerve to carry out the instructions on a card they were given. A compilation of video clips collected in deepwater by the Little Hercules Remotely Operated Vehicle and camera platform during an ROV shakedown cruise aboard NOAA Ship Okeanos Explorer offshore Kona, Hawaii (March 2010). Sea life can sometimes serve as a marker to help navigators stay on track. Shorty Bertelmann describes how one such living marker, a pod of dolphins, helped him see what navigation is really about. Video teaser for the upcoming launch of the new Exploratorium website, 'Never Lost'. Learn a little bit about Polynesian Navigation in anticipation of the full website What motivates modern navigators? That depends on who you ask. But many explain their passion for voyaging in terms of kuleana--responsibility. The intertwining of astronomy, Hawaiian ancestry, and traditional navigation are the subject of this video featuring astrophysicist Paul Coleman, cultural historian Koa Rice, and captain Billy Richards. Animals are a source of energy-rich food even after they die. Here we can see beetles, flies, bacteria, and other organisms feasting on carcasses. Watch the process of a deceased monitor lizard providing energy for other organisms to live in this time-lapse video. Look for this exhibit in the museum, upstairs in the Traits of Life area. Get a special sneak peek at the Exploratorium's lab. Living Systems' Caitlin Johnson shares this space where public is not allowed. Today's Live from the Lab highlights the museum's "warm room," where plants are grown, eggs are incubated, and zebrafish are farmed.
Th Exploratorium's lab is an unusual museum feature, allowing a greater variety of programs and exhibits about biology. A highlight of this After Dark evening was Thee Oh Sees, one of the Bay Area’s best underground bands, who created a playful aural disorientation while playing in front of “visual music” by the late experimental filmmaker and musicologist Harry Smith.