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View transcript[00:00:01.04] (gentle music playing) [00:00:05.02] - [Heike Winterheld] In the fall of 2020, [00:00:06.09] we were thinking about how to best [00:00:09.02] welcome our visitors back. [00:00:11.04] Knowing, at the time, that by the time we reopen, [00:00:15.02] people would have had experienced major change [00:00:18.01] in one way or another. [00:00:19.09] And we were trying to think of ways [00:00:23.03] that would help people process the change, [00:00:26.05] and also encourage a positive outlook on the future. [00:00:30.04] Stories of change touches on three of the major events [00:00:34.01] that brought on change that affected people's lives. [00:00:38.04] One, is obviously the COVID-19 pandemic. [00:00:41.09] And, the 2nd major event, [00:00:44.05] involving the killing of George Floyd and many others [00:00:48.01] that spurred change on a broader level. [00:00:51.05] And yet another change on top of it, [00:00:54.07] was the record-breaking California wildfires, [00:00:59.02] as a sign of environmental change that's ongoing. [00:01:03.04] The exhibit encourages processing of the change [00:01:07.03] that people experienced. [00:01:09.02] And we wanted to also provide people with the opportunity [00:01:13.01] to connect with each other. [00:01:15.03] So the exhibition area consists of different elements. [00:01:18.07] One of the vibrant murals by two local artists, [00:01:23.01] Mark Harris and Bianca Rivera. [00:01:25.09] The 2nd element is the photography by Amy Snyder. [00:01:30.01] The 3rd element is the participatory element [00:01:35.00] that allows visitors to share [00:01:36.07] their own personal stories of change. [00:01:41.03] - [Mark Harris] I refer to myself as a contemporary artist, [00:01:44.00] so, I'm doing art of the now. [00:01:46.09] Mostly, it's a reflection of my experience, [00:01:49.07] so it's coming from an African-American perspective. [00:01:54.01] The piece is gonna be two young boys, brothers, [00:01:58.05] who are trying to see who's the tallest. [00:02:01.09] Who's growing the fastest. [00:02:03.00] And they're sort of standing back to back. [00:02:05.00] And so what I'm hoping that the piece will do [00:02:06.09] is to show the African-American male [00:02:09.08] in a light that they're not usually portrayed in, [00:02:12.03] especially young African-American men. [00:02:14.06] They're often painted as criminals. Thugs. [00:02:19.08] And, they grew up just like any other kids [00:02:23.06] doing the same things that kids do, [00:02:25.09] having the same desires, and wishes, and hopes [00:02:28.04] for their lives. [00:02:30.03] I'm hoping that people will see a side [00:02:33.09] of the African-American experience [00:02:35.06] that they may not be able to see, or be able to consider. [00:02:40.07] I really want people to get in touch with their humanity [00:02:43.07] when they see my work. [00:02:45.09] - [Bianca Rivera] Mural making is very new to me. [00:02:48.06] And so, it's been a real joy to see [00:02:50.02] that my illustrative practice can be transferred into, [00:02:53.07] like, this very large and public space. [00:02:57.03] When we first started the process and the exploratory team [00:03:00.01] gave me 4 themes to work with, or like, get inspired by. [00:03:03.03] One of them was celebrating moments of joy and community. [00:03:08.00] I was just immediately drawn to that one. [00:03:10.08] So what I landed on for this final design is [00:03:14.00] just to display the little vignettes of this past year. [00:03:18.04] This piece definitely meshes moments of collective action. [00:03:23.00] You see families holding up poster boards and protesting, [00:03:27.01] and you see the small moments of joy when they're like [00:03:30.09] introducing a new baby to the family via FaceTime, [00:03:33.05] or someone is announcing to the family [00:03:36.01] that they got engaged via Zoom. [00:03:38.03] And so, I really wanted to just visually explore [00:03:42.03] that whole spectrum of what we all definitely experienced [00:03:44.09] this past year. [00:03:47.06] - [Amy Snyder] I would describe my photography as [00:03:49.07] portrait documentary. [00:03:51.00] So, people-centric. Things happening in real time, [00:03:55.01] kind of journalistic. [00:03:57.08] And when COVID started, I kind of went back to my original, [00:04:02.00] my first love in photography, which is street photography. [00:04:05.05] Initially I started by walking around in my neighborhood [00:04:08.03] with my camera. [00:04:09.08] I feel like it's a really great way to see [00:04:12.09] how things are changing in the landscape. [00:04:16.05] The exhibition of photographs is divided into 3 walls. [00:04:20.07] The 1st wall, when you enter on the left [00:04:23.03] is about the fires that happened last year. [00:04:28.01] In particular, that the day that the sky turned orange. [00:04:33.01] The 2nd wall is about the social justice movement, [00:04:36.01] in particular, in Oakland. [00:04:39.05] The 3rd wall is on shelter in place. [00:04:43.02] Most of the photographs don't have people in them, [00:04:45.06] and that's because there weren't a lot of people [00:04:47.08] out and about. [00:04:48.08] But you did see signs of people wanting to communicate. [00:04:53.01] I really try to edit the photographs [00:04:57.08] to show some of the more positive aspects of the year. [00:05:02.07] I hope that it shows some of the resilience of people. [00:05:07.01] I also hope that they see a little bit of levity [00:05:10.02] in my photographs. [00:05:12.04] - [Heike Winterheld] At heart, Stories of Change is about [00:05:15.08] how we think, feel, and behave in a changed environment, [00:05:20.07] especially in a social environment, [00:05:22.08] and the broader theme of Gallery One is how we relate [00:05:26.07] to our social environment. [00:05:28.05] It's the role of humans in their social environment. [00:05:32.08] Many of the exhibits that you see on the floor [00:05:35.02] in Gallery One are informed by different disciplines [00:05:39.01] in the Social Sciences. [00:05:40.09] Stories of Change focuses more on the arts [00:05:44.07] than on the sciences. [00:05:45.09] But, the Exploratorium has a history of focusing [00:05:49.04] on both art and science as major fundamental methods [00:05:54.05] of inquiry. And to me, as a Social Scientist, [00:05:57.09] this is particularly a productive marriage [00:06:01.04] because both artists and social scientists [00:06:04.02] share an interest in the role of humans [00:06:07.01] in the social environment. [00:06:08.05]
Stories of Change explores the events over the past year that have had a profound effect on peoples lives. Widespread demonstrations for racial justice, record-breaking wildfires, the pandemic, and an intense and turbulent 2020 election year have brought dramatic changes—many of them unwanted, others welcomed and long overdue. Stories of Change invites you to share your stories of change. Have you changed the ways you think, feel, and behave? How have you observed others changing, for better or worse? What change would you like to make in the future?
Stories of Change features original mural paintings by Bianca Marie Rivera and Mark Harris and photography by Amy Snyder.
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